Roya Zeraatpishe; Abbas Shiri; alihosein Najafi Abrandabadi; Firooz Mahmoudijanaki
Abstract
Abstract: Gender transcends the attributes that are attributed to women and men in the process of sociability of men and women, and, in contrast to the gender, they have a biological and social origin. The gender role of women has been the subject of transitional change throughout history, and as a result, ...
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Abstract: Gender transcends the attributes that are attributed to women and men in the process of sociability of men and women, and, in contrast to the gender, they have a biological and social origin. The gender role of women has been the subject of transitional change throughout history, and as a result, in traditional societies, the status of women has changed. Women as a second sex tend to have stereotypes that are inappropriately proportioned to them and do not weaken their position in the continuum. These stereotypes do not fit well in the popular comics of men and women, and portray women as poor sexes. It is clear that this pervasive perception of women with violence against them is related to stereotypes of sexual harassment and abuse of women in particular. Sexual assault stereotypes are societal messages that tell women about their predetermined sexual orientation about sexual assault, and about the rape, sexual assault, and rape outcomes. In the end, they are silenced by the transgressor.
hamidreza daneshnari; Elnaz Nesai Javan
Abstract
Today, in the light of new attitudes in cultural crime, the discussion of the media representation of the status of women has been considered. The cinema as the seventh art has always been associated with gender-based approaches, and the representation of gender and women has been reflected. Accordingly, ...
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Today, in the light of new attitudes in cultural crime, the discussion of the media representation of the status of women has been considered. The cinema as the seventh art has always been associated with gender-based approaches, and the representation of gender and women has been reflected. Accordingly, this study, using the qualitative content analysis method, aims to analyze and evaluate the cinematic film in the light of gender-based approaches. Based on the findings of the content analysis, Monsanto's film, focusing on the crime of rape and drawing the problems of the victims of this territory, seeks to recognize the rights of women and support victims of rape. The focus on translating the obvious and hidden meanings of the film shows that the hegemony of patriarchal thinking in the epistemology of rape is confirmed in the form of a victimized blaming theory of the role of a victim of crime, and sometimes in the light of the dualism of the noble-minded women, the victim's delinquency. However, the overall assessment shows that the film recognizes extremist feminist attitudes such as existentialist and psychoanalytic feminism.
